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Marc-André Hamelin
Russian music from the imperial and Soviet eras sets the stage for Schubert’s moving contemplation on his own mortality. Scriabin’s Fantasy and Feinberg’s dark-hued Sonata No. 3 are both impassioned works that present substantial technical challenges. No less daunting are Prokofiev’s set of five pungent Sarcasms, innovative works of great color and rhythmic drive. In Schubert’s B-flat Major Sonata, written two months before his death, the composer ponders his end in the first two movements, but an energetic scherzo lightens the mood before the driving finale.
with French pianist Marc-André Hamelin
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Photo: carnegiehall.org
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Wednesday · Oct 23, 2019 · 00:00
Carnegie Hall
881 7th Ave, New York, NY 10019, USA
